The class forum is designed to give you the opportunity to discuss the texts and issues of the class at your own pace and in your own way. Although I may occasionally suggest a topic for discussion, and although your postings must be relevant to the class (i.e. you should discuss issues that are pertinent to one or more of the texts we read in the class and/or to general issues of literary theory) you are not constrained with respect to either the issues you discuss or the approach you take to these issues. Constructive yet irrelevant postings (social chat, notices of interesting events, etc.) are welcome on the forum, but do not count towards the contract (see below).
How to sign up for the forum:
Go to <http://courses.iwu.edu> and log in to Moodle. Once you're on, go to "Literary Theories - Fall 2011," then click on "The Theories Forum." The rest should be familiar and/or self-explanatory.
How the forum will be graded:
To give you as much flexibility and freedom as possible, I will grade your forum contributions by a contract system.
To get a B or higher, you must fulfill your forum contract:
To get an A, you must fulfill your forum contract, as specified above, and your contributions to the forum, taken as a whole, must
Borderline grades (A-, B+) are possible.
If you write more than 12 postings, I won't automatically raise your grade, but I will base my assessment of the quality of your contributions on your best 12 postings.
From these two baseline grades, I will make three kinds of deductions, if necessary:
Argument is encouraged; harassment and "flaming" are prohibited.
This paper is designed to get you started writing theory (as opposed to criticism).
Choose an original theoretical article, written during the twentieth century, from The Critical Tradition. (By "original" I mean "not secondary," i.e. not one of Richter's overviews of theoretical schools.) Isolate an argument from the text, summarize it for an audience that is generally well-read in literary study and critical discourse but that has not necessarily read the article you're writing about, and then disagree with, qualify, extend, or show the assumptions or implications of the argument in order to make an original theoretical point of your own. (By "theoretical point" I mean one which could apply to a large number of literary or critical texts or to some aspect of reading and writing literature in general, as opposed to a point which applies only to a particular work.) Reading and/or using in the paper other sources besides the article you're working with is neither forbidden nor required; just be sure that you understand the article on its own terms and that, if you do use an idea from another source, you cite it properly.
Papers should be approximately 4-6 pages long and should be documented correctly in MLA parenthetical format.
A reasonably polished summary of the argument that you're writing about and a brief, rough description of what you're going to do with it is due by email on 9/14; the paper itself is due on 9/23.
Develop and defend a theoretical argument on a literary topic of your choice, based upon a survey of relevant theoretical writings on that topic. Your argument may focus on a broad theoretical issue (such as the canon, authorial intention, determinacy of meaning, and so forth) which leads you through a number of different theoretical schools, or on a narrower topic which leads you into a deeper investigation of a single school (such as subjectivity in reader response criticism, ideology in Marxist criticism, etc.). In either case, however, your paper must be focused around a specific, original claim.
Length: 10-15 pages. Due dates:
fireworks cs5 AppZapper 2 MAC Nuance OmniPage Professional 17 soundbooth cs4 mac creative suite 5.5 web premium mac office excel 2007 Intuit TurboTax Premier 2009 Eyeon Fusion 6 (64 bit) Apple Mac OS X 10.6 Snow Leopard adobe creative suite 4 design premium photoshop cs3 extended CodeGear RAD Studio 2007 Architec Delicious Library 2 MAC Zend Studio Pro 8 MAC photoshop cs4 extended