Eng 370--Hemingway &
Fitzgerald
Room: Shaw 208 Time: MWF 1:00-1:50
Instructor: James Plath Office:
English House 104 Phone: 556-3352
Hours: M-F 9-10 a.m. and by appt. URL:
http://titan.iwu.edu/~jplath
Email: jplath@iwu.edu
Texts:
The Complete Short Stories of Ernest Hemingway: The Finca Vigia
Edition
The Short Stories of F. Scott Fitzgerald: A New Collection (ed.
Matthew
Bruccoli)
The Great Gatsby
The Sun Also Rises
A Farewell to Arms: The Hemingway Library Edition
Tender Is the Night (hardcover)
Students who choose to use a different edition will be
responsible
for additional materials in the selected texts.
Course Description and Goals: Ernest Hemingway and F.
Scott
Fitzgerald were two of America's great writers of the 20th
century.
Both men came from midwestern backgrounds, but Fitzgerald, who
became a
symbol of the Jazz Age, wrote about the rich and would-be
socialites,
while Hemingway was drawn to a rougher class of people and became
associated with modernism. The two men met in Paris in April 1925
at
the Dingo American Bar in Paris shortly after The Great Gatsby was
published, and
that started an often ambivalent literary friendship that would
last
until Fitzgerald died in December 1940.
The main goal of this class is to acquaint students with
Hemingway's
and Fitzgerald's contributions to American literature and to use
letters and criticism to enhance readings of the texts. The course
will
be run in true seminar fashion, meaning that students will be
responsible for the majority of the class time and course content.
Course Requirements:
- Attendance is mandatory. More than 3 unexcused absences
affects
grade.
And in a seminar, you're considered absent if you don't
participate
in class discussion.
- Students will be expected to keep up with the reading, to
contribute
significantly to class discussion with informed opinions (i.e.,
opinions
based on reading and research, not b.s.). Though a skeletal
syllabus is
provided, since this is a 300-level class, students will
responsible
for the
trajectory and shape that discussions take.
- Each student must work in a small group to present additional
assigned readings, along with appropriate outside sources.
- All assignments MUST be completed for students to receive a
grade
for
the course.
- All work must be typed and double-spaced with standard l to l
l/2"
margins. Computer work should be submitted in 12pt Times,
double-spaced
(printed both sides okay). Only hard copy will be accepted. No
email
submissions unless cleared in advance with the instructor.
- Papers must be submitted in MLA style--handout and examples to
be
provided--and
students must present a portion of the final paper at the class
"conference"
held in lieu of a final exam. The usual conference fare (coffee
and
donuts)
will be provided.
- Two conferences are required, more encouraged. And despite the
miracle
of technology and the MLA Online Bibliography, computer searches
will
always
prove incomplete. Students should count making several trips to
Ames
and nearby
Milner.
Grades will be determined on the following basis:
Class participation (includes active discussion,
assignments
and quizzes)----25 percent
Small group
presentations------------------------------------------------------------25
percent
2 Critical papers
(8-12pp each)---------------------------------50
percent (25 percent each)
Tentative Calendar:
Week of Jan 9, 11--Intro and in-class readings/discussion
Week of Jan 14, 16, 18--Fitzgerald stories "Head and
Shoulders,"
"Bernice Bobs Her Hair," "The Ice Palace"
Week of Jan 21, 23, 25--Hemingway stories "Up in
Michigan," "Out of Season," "My Old Man"
Week of Jan 28, 30, Feb 1--The
Great
Gatsby (Chapters 1-4 by Monday, Chapters 5-9 by
Wednesday)
Week of Feb 4, 6, 8--The Great Gatsby and
Fitzgerald story "The Rich Boy"; presentation on Friday
Week of Feb 11, 13, 15--The
Sun
Also Rises (Book 1 by Monday, Books 2-3 by Friday)
Week of Feb 18, 20, 22--The Sun Also Rises (criticism
and
further discussion; no class on Feb 22—research and writing day)
Week of Feb 25, 27, Mar 1--Fitzgerald stories "The Diamond as
Big
as the Ritz," "Winter Dreams," "Absolution"; Sun presentation on Feb 25;
draft of first paper due
Mar 1
Week of Mar 4, 6, 8--Hemingway stories "Indian Camp" and
"The
Battler," "The End of Something" and "Three-Day Blow," and "Big
Two-Hearted River, Pts. 1&2"; final draft of first paper due Mar
8
SPRING BREAK
Week of Mar 18, 20, 22--A
Farewell to Arms (Books 1-2, Book 3, Books 4-5)
Week of Mar 25, 27, 29--A
Farewell to Arms (criticism/continued discussion;
presentation
on Friday)
Week of Apr 1, 3, 5--Hemingway
stories
"The Snows of Kilimanjaro," "The Short Happy Life of Francis
Macomber," "Hills Like White Elephants," "After the Storm";
Fitzgerald
stories "Babylon Revisited," "One Trip Abroad," and "Jacob's Ladder"
Week of Apr 8, 10, 12--Tender
Is
the Night (Books 1-2, Book 3, Books 4-5)
Week of Apr 15, 17, 19--Tender
Is
the Night (continued discussion; presentation on Friday)
Week of Apr 22--Wrap-up
FINAL EXAM "CONFERENCE": Date and time TBA
Plath
Country